
\\n\\nOver the past year, SHSHCHTS has pursued an extended program of audio research focused on the relationship between musical form and performance context. This inquiry returned the project to its original point of departure: ritual-based and ceremonial sound practices as organizing structures.\\n\\nDeveloped through SHSHCHTS’ radio platform, the research examines how musical traditions from different historical periods and geographical regions operate within shared sonic, cultural, and philosophical frameworks. Experimental composition is placed in dialogue with Tibetan ceremonial music, African rhythmic systems, and drone-based instrumentation, computer game soundscapes and FXs, classical and avant-garde compositions and field recordings, not as stylistic references but as coexisting methodologies.\\n\\nThis research culminates in a three-act concert, conceived as a continuous curatorial sequence and presented in London as its first public realisation.\\n\\nMore info: shshchts.com\\n\\n
Date & Time
Friday, March 13, 2026 @ 7:00 PM EDT